Boston Jazz Chronicles, Blizzard Edition
We in the Boston area in 2015 are saying “enough, already!” when it comes to the interminable cycle of snow-cold-snow-cold. I looked through the archives to see how the music fared on other cold and snowy nights, and found snapshots of 1943, 1958, 1967, and 1978.
Our first winter wonderland stop is Symphony Hall, where the Duke Ellington Orchestra performed Black, Brown, and Beige in its entirety on Jan 28, 1943. It was the second of only three complete performances of the 43-minute work, Duke’s “tone parallel to the history of the American Negro.” The critics had not been kind when the work premiered at Carnegie Hall the previous Saturday, and the press release let the people know it would be “serious jazz…with no comedy or capers,” but none of that deterred the Boston audience; it was standing room only and the box office turned away 1,200, all on a day when over a foot of snow blanketed the city.
Although Black, Brown, and Beige was received more warmly in Boston than in New York, the praise wasn’t unqualified. Wrote reviewer Eugene Benyas, “I can only report that Duke lived up to and confirmed all but the very highest expectations. If “B, B, and B” did not successfully bring jazz to the concert stage, it did not deny the existence of Ellington’s genius.” The most generous applause went to other pieces. Rex Stewart stopped the show with his solo on “Boy Meets Horn,” and Ray Nance played splendid violin on “Bakiff.”
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