The Troy Street Observer

Nov 8, 1936: Waller Says the Joint’s Officially Jumpin’

Fats Waller was in town, headlining the Hot From Harlem Revue opening at the RKO-Boston Theatre on November 6. The Hot From Harlem stage show played Boston annually with its cast of dancers, singers, comedians, and musicians supporting the show’s headlining star.

Photo of Fats Waller
Take it from Fats—this joint’s jumpin’

We can assume that the ebullient Waller played hits like “Honeysuckle Rose” and “Ain’t Misbehavin’,” and probably introduced a few new songs, too. A party atmosphere likely prevailed among the RKO-Boston crowd, because FDR had been re-elected by a landslide just two days before Fats opened.

But Hot From Harlem isn’t my reason for checking in with Mr. Waller today. I’m interested in the Theatrical Club, on Tremont Street in the Theatre District, and Waller’s role in ending its Jim Crow policy.
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Ain’t Misbehavin’ Comes to Boston

Ain’t Misbehavin,’ the revue based on the music of Fats Waller, opened at the Wilbur Theatre on February 28, 1979. Ain’t Misbehavin’ ran for over 1,600 performances on Broadway, winning the Tony award for Best Musical in 1978. Within weeks of its closing, the touring company, with Yvette Freeman leading the cast, set off to its first stop in Boston. The show included more than 25 tunes Waller wrote or played, including “The Jitterbug Waltz,” “Honeysuckle Rose,” “The Joint Is Jumpin’,” and “Keepin’ Out of Mischief Now.”

Ain't Misbehavin' Poster
1979 Ain’t Misbehavin’ Poster

There was a fine local band on hand to play Wallers music:  trumpeter Herb Pomeroy, Andy McGhee and Dick Johnson on reeds, trombonist Kenny Wenzel, bassist John Neves, and drummer Rudy Collins. The show’s pianist and musical director was J. Leonard Oxley.

Waller was a frequent visitor to Boston, at nightclubs of the late thirties and early forties like the Tic Toc and Southland. He also starred in stage shows at the RKO-Boston that were the inspiration for Ain’t Misbehavin,’ such as the Connie’s Inn Revue and the Hot From Harlem Revue, both from 1936. It was during the run of the latter show that Waller made the momentous appearance at the Theatrical Club that I described in The Boston Jazz Chronicles.

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