The Troy Street Observer

July 31, 1949: Jimmie Martin Orchestra at the Rio Casino

Label of Motif M 2003
Mamie Thomas and the Jimmie Martin Orchestra on Motif, 1949

I dedicated a chapter of The Boston Jazz Chronicles to Boston’s two late 1940s big bands, the “white contingent” of Nat Pierce (in the blog on July 5 and July 16) and the “black contingent” of Jimmie Martin.

The bands had much in common—passionate and talented musicians, skilled arrangers, and a decidedly modern outlook. Unfortunately, they also shared a mostly empty schedule, and if the Pierce band only worked a little, the Martin band worked a little less. In what little mention the Martin band merits in the jazz literature, it is often called a rehearsal band.

Some members of Martin’s orchestra became household names, at least in jazz households—Jaki Byard, Joe Gordon, Gigi Gryce, Lennie Johnson, Sam Rivers. Some, while not household names, were quite influential. Trombonist and arranger Hampton Reese was B.B. King’s music director for almost 25 years in the 1950s-1970s, and trumpeter Gil Askey, who had the same role with Diana Ross, was one of the founding fathers of the Motown Sound. Still others were active sidemen on the national scene (Jack Jeffers, Clarence Johnston), or doubled as performers and educators (Andy McGhee, Floogie Williams).

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