The Troy Street Observer

Another Dick Johnson Riff

Photo of Hal Galper in 1982
Hal Galper in 1982

A number of readers commented on my Dick Johnson Reprise post from a few weeks back, and I’m happy to see that level of enduring interest in Dick and his music. I received some of the comments via email. One of those emailers, Hal Galper, worked with Dick in the early 1960s in his Boston days. I believe they served together in Herb Pomeroy’s big band then. Wrote Hal, “I worked many a gig with Dick—always a sweetheart,” and he included one of his favorite memories of Dick Johnson on the job:

One gig was in a Boston club we all thought was run by the mob, don’t remember which one. We’re playing a tune and this expensively dressed gal comes up to the bandstand. “Guido wants to hear Moonlight In Vermont,” she says in a Chelsea accent, and walks away. Dick ignores her completely, continues to solo uninterrupted. About ten minutes later she returns. “Guido wants to hear Moonlight In Vermont,” she says, adding a little more emphasis to the request, and walks away again. Dick ignores her and keeps on playing. About ten minutes later, we’re playing another tune and this big, ugly, pock-marked, cauliflower-eared guy in a $500 silk suit lumbers up to the bandstand. In a rough, mean-toned, gravely voice he says, “Guido wants to hear Moonlight In Vermont,” and stands there staring at us. Dick takes an instantaneous segue: Moonlight in Vermont!

By the way, that guy was not Guido. We never did see him.

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Hal Galper Live at the Stable, 1962

Pianist Hal Galper was a busy guy in Boston in 1962. Much of that activity centered around the Stable, the cellar club on Huntington Avenue, where Galper practiced his craft almost every night. Tuesdays and Thursdays, he played with Herb Pomeroy’s big band, while on weekends he worked with Varty Haroutunian’s small groups. On Mondays, he was a regular in trombonist Gene DiStasio’s Quintet, and their music is the subject of today’s post.

Photo of Hal Galper in about 1980
Hal Galper in about 1980

In April 1962, everyone knew the Stable had a date with the wrecking ball. The Commonwealth was razing the building to make way for a turnpike on-ramp. The musicians played on, though, and one Monday night, an unknown person captured DiStasio’s Quintet on tape. That recording ended up with Ray Santisi, and is now the fourth installment in my Santisi tapes project. It was Hal Galper, by the way, who replaced Santisi in the Herb Pomeroy Orchestra in 1959.

After transferring the music from the original 1/4-inch tape to a digital format, I sent a copy to Galper, knowing full well that musicians often take a dim view of being asked to listen to the way they played “back then.” But he was game, and in January 2017 we talked by phone about the music and his time in Boston.

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