The Troy Street Observer

Ray Santisi: The Last of the Stablemates

Photo of Ray Santisi
Ray Santisi, Stablemate

Pianist Ray Santisi, who died October 28 at age 81, was a working musician for almost 65 years. He was also a composer and arranger, author, and perhaps most famously, teacher. He joined the Berklee faculty in 1957, and spent 57 years there.

He was also the last surviving Stablemate—the last of a trio of Boston musicians for whom Benny Golson composed the song “Stablemates” in 1955. The others were trumpeter Herb Pomeroy and tenor saxophonist Varty Haroutunian. The three set the pace at the Stable, one of the city’s great jazz rooms in years gone by.

I thought I’d remember Ray today by taking a look at the formative years of his career.

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March 13, 1955: Jazz in a Stable Recorded

Jazz in a Stable Cover
Jazz in a Stable, TRLP-1

March 13 is the anniversary of a pair of record dates pertinent to the Boston scene. The first, in 1955, was for Jazz in a Stable, by the Jazz Workshop Quintet. This was the house band at the Stable, 20 Huntington Ave, across the street from Storyville. If there was a leader, it was tenor saxophonist Varty Haroutunian (we’ll celebrate his birthday here on March 23), but over time people have associated the recording with Herb Pomeroy because the trumpet star became the best-known of the group. The others were pianist Ray Santisi, bassist John Neves, and drummer Jimmy Zitano, “J.Z.”

This recording, made live at the Stable, also marked the first album made by Tom Wilson’s fledgling Transition Records, and we’ll celebrate Tom Wilson’s birthday here on March 25.

The tunes are mostly standards (“Dear Old Stockholm,” “Off Minor,” “One Bass Hit,” “Moten Swing,”) and the record was favorably reviewed, earning five stars from Down Beat. Metronome called it “nicely turned and almost always exuberant.”  Nat Hentoff, writing in Down Beat (Dec 28, 1955) wrote: “Trumpeter Pomeroy is certainly the standout, but the other four are also good, among Boston’s best and indicative of what you can hear there on the modern kick; mostly familiar and nicely turned and almost always exuberant.” Hentoff gave the record five stars.

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