The Troy Street Observer

Jan 27, 1953: Mariano’s Boston All Stars Record for Prestige

If you liked modern jazz, and you were in Boston in the early 1950s, Charlie Mariano was your man. You don’t have to take my word for it. When I interviewed Ray Santisi for The Boston Jazz Chronicles, he said Mariano was the best of the town’s modern alto players, no question. So did Herb Pomeroy in his interview. And so did Dick Johnson in his, and Johnson went on to say Mariano was the best ballad player he ever knew.

Cover of Prestige LP 153
Charlie Mariano and the Boston All Stars, Prestige LP 153

You can judge for yourself, on a recording made on this day, 61 years ago.

Charlie Mariano is no stranger to this blog, of cours. He was the star soloist with the Nat Pierce Orchestra, and he was part of Boston’s first jazz festival with his band, the Boptet. The people at Prestige Records recognized Mariano as one to watch, and he recorded his first album for that label in 1951, a 10-inch LP titled The New Sounds from Boston. And in spring 1953, he’d make a modest proposal to a handful of his sympatico musician buddies: “let’s start a jazz workshop.” The hands-on, learn-by-doing school they started in a Stuart Street office building was eventually integrated into the Berklee School, but that’s getting ahead of the story.

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