May 30, 1971: Fire Closes Lennie’s-on-the-Turnpike
Firefighters broke through the roof to fight the blaze, which was confined mainly to the bar and dressing rooms, but the entire building suffered extensive smoke and water damage.
Just about all of the great jazz clubs described in The Boston Jazz Chronicles or in posts on this blog were inside the Boston city limits—the Savoy, the Stable, Storyville, the Jazz Workshop. But one, a favorite of both performers and listeners, was way up in the suburbs. That was Lennie’s-on-the-Turnpike, on the northbound side of Route 1 in West Peabody. On the morning of May 30, 1971, fire struck the club.
“You could say I am down, but not out,” proprietor Lennie Sogoloff told the Globe’s Bill Buchanan later that day. “This club has been my life since the early 50s and to see all the damage was a great shock to me. I just don’t know what direction we’ll take now. It’s something I’ll have to think about.”
April 8, 1968, witnessed the second Gretsch Drum Night at Lennie’s-on-the-Turnpike on Route 1 in West Peabody.
The people at Gretsch Drums came up with an interesting promotion in the late 1950s, called Gretsch Drum Night. The idea was simple enough: round up a trio of drummers who are endorsing the company’s wares, put them on a nightclub stage with a newest set of drums and accessories, and have them each play singly with the house band, and together in thundering drum battles. What you got, remembered Lennie Sogoloff, was “a lot of noise…but they were all fruitful nights. All the drummers in town would show up.”
Gretsch was the big name in jazz drumming then, with their Progressive Jazz kits and long list of endorsing drummers: Art Blakey, Kenny Clarke, Max Roach, Shelly Manne, Mel Lewis, Tony Williams, and on and on. To promote their catalog and their drummers, the company sponsored Drum Nights as early as 1960. In April of that year, Roulette recorded a Gretsch Drum Night session at Birdland in New York. The drummers played with piano, bass, and a couple horns.