Charlie Bourgeois, who was George Wein’s director of public relations and right-hand man for over 60 years, died at the age of 94 on January 26, but I’ve read very little about it. Bourgeois was active on the Boston jazz scene even before Wein hired him at Storyville in 1951. Two events in particular stand out.
The first was his staging of “a recital of contemporary music” at the John Hancock Hall in October 1949 with the trio of Mary Lou Williams and the sextet of Lennie Tristano, which included Lee Konitz and Warne Marsh. It was Tristano’s first Boston appearance, and the concert program attempted to prepare the listeners for Tristano’s way-out music: “Tristano seeks optimum conditions and an intelligent audience for the performance of his music. It all may seem strange to the untrained ear but the music concepts that Tristano conveys may be assimilated by all who are eager to hear. Contemplation is required in the appreciation of any art.” Clearly, Bourgeois wasn’t sure that the Boston audience was as ready for the sound of modern jazz as he himself was.
Two of Boston’s finest modern-era saxophonists were born in November, 1923: Charlie Mariano on the 12th, and Serge Chaloff on the 24th. (Well, OK, other local-impact saxophonists born in November include Sam Margolis on the 1st, Andy McGhee on the 3rd, Jay Migliori on the 14th, Boots Mussulli on the 18th, Bob Freedman on the 23rd, and Gigi Gryce on the 28th. We’re talking all-stars here.).
Mariano and Chaloff rubbed shoulders often between 1949 and 1954, and two encounters stand out as significant. One was recorded on April 16, 1949, and thus saved, while the second, a live set played by the Charlie Mariano Boptet on May 21, 1950, is forgotten.
Charlie and Serge were the best known modern jazz players in Boston, but the cast of characters included Nat Pierce ( here and here) in whose orchestra Mariano was the star soloist, and a number of others in that 1948-50 band. There was drummer Joe MacDonald, who with Pierce and Mariano had formed the first trio to play jazz at the Hi-Hat in 1948. Trumpeters Gait Preddy and Don Stratton, trombonist Mert Goodspeed and Sonny Truitt, and bassist Frank Vaccaro were also with Pierce. (more…)
Boston’s first outdoor jazz festival, a five-set event on the Boston Common, took place as part of the Mid-Century Boston Jubilee.
In May 1950, the City of Boston held a four-day extravaganza, the Mid-Century Boston Jubilee, to prove to the nation, and perhaps to itself, that the city still had a pulse. Every facet of the local economy was tanking, and Mayor John Hynes and the business community needed to talk up the city’s prospects for job growth, prosperity… the usual.
The captains of industry bankrolling the Jubilee knew that a good party needs plenty of music, and the citizens of the olde towne sampled everything from the Gillette Safety Razor Company Glee Club to the Boston English High School Band to Louie Prima’s big band. The Jubilee’s Big Deal was the Saturday night baked bean supper, served with ham and brown bread on long banquet tables set up on the Common. “10,000 Sit Down to Baked Beans on Common; 30,000 Turned Away” said the Globe’s headline the next day. Al Bandera’s Garden City Band played through dinner, and Burl Ives strolled through the crowd, reprising his popular hit, “Gimme Cracked Corn and I Don’t Care” to great applause.