There are comebacks, and then there are comebacks. Thirty-four years ago, in June 1981, Miles Davis staged a memorable comeback performance in Boston that ended five years of self-imposed silence. The four-night barrage stood the jazz world on its ear, and although the music was formidable, what made it all so head-turning was that it was such an event.
Miles had been out of the public eye for five years, enduring physical maladies and having little desire to play. But he was ready to go again in 1981, and his group had just recorded a new album, The Man With the Horn, and he was going to play at the Kool Jazz Festival in New York in early July. But Davis wanted a tune-up first, and he wanted to do it in a club. So Davis contacted Fred Taylor, for whom he had worked more than ten times at the Jazz Workshop or Paul’s Mall between 1967 and 1977. Simply put, Miles Davis trusted Taylor.
Oct 24–Nov 2, 1955: Miles Davis Quintet at the 5 O’Clock
It’s funny how the size of the crowd at a momentous event seems to swell over time. Sports crowds fill facilities well beyond their capacities; I’ve lost track of the number of Bostonians who insist they saw Orr score The Goal or Fisk hit The Home Run. Music fans aren’t immune, either. Seems like half the city was at Boston Garden for the April 1968 James Brown show that stopped a riot.
This brings me to Boston jazz fans of a certain age, all of whom insist they heard the Miles Davis Quintet between October 24 and November 2, 1955. The Quintet played at the 5 O’Clock, a long and narrow room on Huntington Avenue about a block away from Storyville, where the Westin Hotel is now, during its brief foray into name-band jazz. The management called the club Jazzarama then, “the greatest ‘Rama of them all.”
This blog has visited the 5 O’Clock before, to mark the Boston marriage of beat poetry and jazz. But that was 1958, a few years after Jazzarama.