Although trumpeter and bandleader Al Natale never called himself a jazz musician, I would be remiss if I did not remember him in this jazzy blog. Al was a generous man who liked to help people, and he helped me when I was writing The Boston Jazz Chronicles. But Natale, who died on April 28, 2020 at age 96, did play a noteworthy role at one of Boston’s famous bygone clubs, Paul’s Mall. He led that club’s first house band. Al Natale was the original Penthouse Tenant in 1964.
It took him a while to work his way to the penthouse. Natale started with music as a kid, playing bugle, then trumpet, in the band at St Anthony’s School in the North End. His dad was a weekend musician, and he helped Al with reading and ear training. In the mid 1930s, Al advanced to dance bands, then a theater pit band, while in high school. His teacher was Ralph Fuccillo, the lead trumpet in the RKO Boston Theatre orchestra. Al told me, “Ralph got me on the band. I was a good reader, and that’s what you needed to be to work all the different shows. Larry Flint was the conductor, and he’d recommend me as a substitute when visiting bands needed a trumpet player. I worked with Bobby Sherwood, Freddie Slack, Charlie Spivak…That’s how I came to join Bob Chester’s band.”
On the Road with Bob Chester
Chester was in Philadelphia when he called Natale with a job offer. Natale hung up the phone and raced to Philadelphia, joining the band at the Earle Theatre. Thus began his life as a big band road warrior. “I’m all of 17 or 18, a kid from the North End never much farther from home than Scollay Square, and here I am, working at the Steel Pier in Atlantic City opposite Harry James. Fabulous.” Chester’s was a talented band, and Al worked alongside drummer Irv Kluger, saxophonist John LaPorta, and the extraordinary trombonist Bill Harris.
Tony Mauriello might not be known in the local jazz community today, but for 25 years, he was an influential player on the Boston entertainment scene. His most noteworthy gig? For twelve years he co-owned the fabled Back Bay nightclubs Paul’s Mall and the Jazz Workshop with Fred Taylor. Mauriello died a year ago, away from the public eye, on December 14, 2017. I missed it, and thus I’m a year late with this remembrance. As they say, better late than never.
Tony Mauriello’s early experience was in corporate accounting, but when he turned 30 he decided to chase a dream. He bought a struggling nightclub on Harvard Avenue in Allston called Luke & Rennie’s in 1960 (the Wonder Bar occupies the building in 2018). He renamed it the Starlight Lounge, and began offering live entertainment seven nights a week. The Starlight quickly moved into mainstream jazz (Sir Charles Thompson, Joe Bucci) and R&B/soul (Ben E. King, Bobby Hebb). That’s when Mauriello met Fred Taylor, who at that time was an artists’ manager and booking agent. The two became good friends.
Tony Mauriello also managed the Forum in Kenmore Square in the mid-sixties, which had the distinction of being Boston’s first discotheque.
It’s been four months since I last posted on this blog, and sometimes I get email from readers wondering what’s going on. I didn’t intend to stop writing, but a new project came along and it is taking most of my time—I’m working with Fred Taylor of Scullers Jazz Club on his autobiography. It’s an “as told to” book, and I’m honored to be the one he’s telling it to.
It’s quite a story—the Jazz Workshop and Paul’s Mall, the Great Woods Jazz and Blues Festival, the Harvard Square Theater, the Tanglewood Jazz Festival, Scullers, and hundreds of concerts, benefits, and shows… And of course it’s a story of people, Bostonians as well as national figures in jazz, pop and comedy. There are stories, or parts of stories, in general circulation, for instance regarding Miles Davis and Dave Brubeck. But everybody’s in here. Take the name “George.” So far we’ve talked about Wein, Benson, Shearing, Carlin, Winston, Garzone, Coleman, Frazier, and Duke. I suspect we’ll be getting to Russell, Colligan, Schuller and Duvivier.
The Jazz Workshop and Paul’s Mall, the two cellar rooms at 733 Boylston Street that provided the best live music in the city for 15 years, closed on April 9, 1978.
It was a sad day for Boston listeners: on Sunday, April 9, Milt Jackson and the Ray Santisi Trio played the last set at the Jazz Workshop. Weak finances forced owners Fred Taylor and Tony Mauriello to shut down. “The last six months have been burdensome, and when we realized we couldn’t get the seating we needed at the Paris Cinema in order to stay in business as a ‘name’ music club, that did it for good,” Taylor told the Boston Globe.