The Troy Street Observer

A Rite for All Souls

Almost 50 years ago, on Halloween night in 1971, the Mark Harvey Group played at the Old West Church in Boston. The concert, in keeping with the day and the place, was called A Rite for All Souls. Band member Peter Bloom dubbed performances like Rite “aural theatre,” and they were an adventurous addition to the local arts scene.

Photo of Peter Bloom and Mark Harvey, 1971
Peter Bloom and Mark Harvey, Boston, 1971

This surprising—and timely—music is now available through Americas Musicworks (AM CD 1596; for reviews, go here and here). It’s good to have this document of the MHG’s early work available. Stalwarts of the local jazz scene, Harvey and Bloom are heard here at the beginning of their 50-year musical collaboration.

A gathering storm of time, place and people led to the creation of A Rite for All Souls. Start with the time, or more appropriately, the times. In October 1971, there was work to do in the city of Boston. Local grassroots activists organized around issues involving equal rights and the corrosive effects of urban renewal. They forced an unwilling city to confront the impact of racial inequality in employment, housing and public education. Rent control was a hot-button issue, and citizen action had finally shut down the land-grabbing Inner Belt and Southwest Expressway projects. But there was much more to do.

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