We’re all spending a lot of time relaxing in our apartments in this sad corona spring. Too much time, you say? Well, 50 years ago, there was a nightclub called the My Apartment Lounge in Boston that you might have left only with reluctance. It was in the Hotel Vendome, on Commonwealth Avenue at Dartmouth Street, and like everything else on this blog, it comes with a history.
Start with the hotel itself. If ever a building belonged on Comm Ave in the Back Bay, it’s the elegant Vendome, among Boston’s finest examples of Renaissance Revival architecture. The Vendome defined luxury in late 19th century Boston. It was the first public building to install electric lights. There was steam heat in every room if the fireplaces weren’t enough to warm the guests. Two sitting U.S. presidents stayed there, as did luminaries in every field.
There is a darker chapter to the Vendome’s history, too. The hotel fell on hard times, suffered a few suspicious fires, and finally closed in 1970. New owners began a condo conversion the next year. And then tragedy: on June 17, 1972, nine Boston firefighters died fighting a horrific four-alarm fire.
Pianist Hal Galper was a busy guy in Boston in 1962. Much of that activity centered around the Stable, the cellar club on Huntington Avenue, where Galper practiced his craft almost every night. Tuesdays and Thursdays, he played with Herb Pomeroy’s big band, while on weekends he worked with Varty Haroutunian’s small groups. On Mondays, he was a regular in trombonist Gene DiStasio’s Quintet, and their music is the subject of today’s post.
In April 1962, everyone knew the Stable had a date with the wrecking ball. The Commonwealth was razing the building to make way for a turnpike on-ramp. The musicians played on, though, and one Monday night, an unknown person captured DiStasio’s Quintet on tape. That recording ended up with Ray Santisi, and is now the fourth installment in my Santisi tapes project. It was Hal Galper, by the way, who replaced Santisi in the Herb Pomeroy Orchestra in 1959.
Alto saxophonist Jackie McLean opened at Connolly’s on December 17 for a week-long engagement. As was the custom at Connolly’s then, McLean worked as featured soloist with a local rhythm section. Jim Connolly hired a good one: pianist Ray Santisi, bassist John Neves, and drummer Tony Williams.
Santisi and Neves were obvious choices. They’d already been playing together for nine years, starting as the Jazz Workshop Quartet at the Stable and then with all subsequent bands that called that venue home. With Jimmy Zitano, they formed the rhythm section that drove the Herb Pomeroy Orchestra.
Both had been branching out as well. Santisi toured earlier in 1962 with Buddy DeFranco. Neves spent time in 1961 with Maynard Ferguson, and later worked with the small groups of Stan Getz and Gary Burton. Santisi was in his fifth year teaching at Berklee.