The Troy Street Observer

June 13, 1955: “How Cool Can You Get?”

The first Jazz Night at the Boston Arts Festival took place in 1954, and it was quite popular. Apparently the citizens of the town had no problem accepting jazz among the lively arts, so the festival promoters came back in 1955 with another Jazz Night triple feature. A panel discussion started the evening, with Father Norman O’Connor, George Wein, Metronome editor Bill Coss, and Brandeis music professor Harold Shepiro participating. Then came the music, supplied by Ruby Braff’s Quintet (with Wein, Sam Margolis, Stan Wheeler, and Marquis Foster) and Serge Chaloff’s Sextet (the Boston Blow-Up! band with Dick Twardzik finally aboard as pianist).

Robert Taylor was the Boston Herald’s man on the scene, and his review showed he enjoyed himself. He preferred Chaloff’s group over Braff’s. “The ingenuity of Chaloff as a soloist is enormous,” Taylor wrote. He concluded: “As a whole the harmonies of the group are tense and the melodies resourceful and they play with a kind of controlled abandon.”

The Boston Globe covered Jazz Night, too. They sent their reporter, Paul Benzaquin, a future AM radio talk show host whose attempt at humor, a review titled “How Cool Can You Get,” failed badly.

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May 21, 1950: Boston’s First Jazz Festival

Boston’s first outdoor jazz festival, a five-set event on the Boston Common, took place as part of the Mid-Century Boston Jubilee.

In May 1950, the City of Boston held a four-day extravaganza, the Mid-Century Boston Jubilee, to prove to the nation, and perhaps to itself, that the city still had a pulse. Every facet of the local economy was tanking, and Mayor John Hynes and the business community needed to talk up the city’s prospects for job growth, prosperity… the usual.

The captains of industry bankrolling the Jubilee knew that a good party needs plenty of music, and the citizens of the olde towne sampled everything from the Gillette Safety Razor Company Glee Club to the Boston English High School Band to Louie Prima’s big band. The Jubilee’s Big Deal was the Saturday night baked bean supper, served with ham and brown bread on long banquet tables set up on the Common. “10,000 Sit Down to Baked Beans on Common; 30,000 Turned Away” said the Globe’s headline the next day. Al Bandera’s Garden City Band played through dinner, and Burl Ives strolled through the crowd, reprising his popular hit, “Gimme Cracked Corn and I Don’t Care” to great applause.

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